Top 30 Old Hindi Love Songs that Never Really Get Old

Rewind to the era of black and white films. How was love back then? Do you think they were too slow or boring for our liking? Then go through this list of old hindi love songs. And you will be in for a surprise.

Some songs are not just melodies; they are echoes of love whispered across time, carrying the fragrance of handwritten letters, stolen glances, and moonlit promises.

They are a complete spectrum of vibrant emotion from mischefs to tantrums to deep passion and even heartbreak. These are songs that never fade, their melodies lingering in the air long after they’ve played.

1. Paanch Rupaiya Bara Aana (Chalti Ka Naam Gaadi, 1958)

2. Ude Jab Jab Zulfein Teri (Naya Daur, 1957)

3. Accha Ji Main Haari Chalo from Kala Pani (1958) 

4. Ek Ladki Bheegi Bhaagi Si from Chalti Ka Naam Gaadi (1958)

5. Yeh Raatein Yeh Mausam Nadi Ka Kinara (Dilli Ka Thug, 1958)

6. Pyar Hua Iqrar Hua from Shree 420 (1955) 

7. Ajeeb Dastan Hai Yeh from Dil Apna Aur Preet Parai (1960)

8. Chaudhvin Ka Chand Ho from Chaudhvin Ka Chand (1960)

9. Dil Ka Bhanwar Kare Pukar from Tere Ghar Ke Samne (1963)

10. Baharon Phool Barsao from Suraj (1966) 

11. Mere Sapno Ki Rani from Aradhana (1969)

12. Ek Pyaar Ka Nagma Hai from Shor (1972) 

13. Aajkal Tere Mere Pyar Ke Charche from Brahmachari (1968) 

14. Rahe Na Rahe Hum from Mamta (1966) 

15. Jo Wada Kiya Woh from Taj Mahal (1963) 

16. Mohe Panghat Pe from Mughal-E-Azam (1960) 

17. Nain Lad Gayi Hai from Ganga Jamuna (1961) 

18. Waqt Ne Kiya Kya Haseen Sitam from Kagaz Ke Phool (1959) 

19. Pyar Deewana Hota Hai (Kati Patang, 1970) 

20. Mere Mehboob Qayamat Hogi (Mr. X in Bombay, 1964) 

21. Chalo Dildaar Chalo (Pakeezah, 1972) 

22. Lakhon Hai Nigahon Mein (Phir Wohi Dil Laya Hoon, 1963)

23. Jhuk Gaya Aasman (Jhuk Gaya Aasman, 1968)

24. Naam Gum Jayega (Kinara, 1977)

25. Zara Si Aahat Hoti Hai (Haqeeqat, 1964) 

26. Aap Ki Nazron Ne Samjha (Anpadh, 1962) 

27. Humein Tum Mil Gaye Humdum (Aankhon Aankhon Mein, 1972) 

28. Tum Hi Meri Mandir Tum Hi Meri Pooja (Khandan, 1965) 

29. Isharon Isharon Mein Dil Lene Wale (Kashmir Ki Kali, 1964) 

30. Humein Tumse Pyaar Kitna (Kudrat, 1981)

Paanch Rupaiya Bara Aana (Chalti Ka Naam Gaadi, 1958)

Boy - ‘You owe me money, Honey!’

Girl - I am the melodies of the stars, I am the bloom of the spring time. Just take a look at me! What more do you want?

Boy - I agree. You have the treasure of beauty. You are my sweetheart! But first thing first - you owe me money, Honey! 

A profusely mischievous melody dipped in the sweetness of romance and the charm of youthful love. Kishore Kumar, with his playful brilliance, turns a simple debt into a delightful flirtation, weaving humor and longing for every penny. As Madhubala graces the screen with her radiant presence, the song becomes more than just a lighthearted tune—it’s an irresistible dance of love and laughter, where even the smallest things (here a paltry sum of five rupees and seventy-five paise) become reasons to chase the one who holds your heart.

Ude Jab Jab Zulfein Teri (Naya Daur, 1957) 

A song of flirtation, freedom, and unstoppable romance, wrapped in the playful rhythm of O. P. Nayyar’s magical composition. Mohammed Rafi and Asha Bhosle bring alive the teasing chemistry between Dilip Kumar and Vyjayanthimala, as love flutters in the breeze like a whisper.

The dhol beats echo the heartbeat of a lover smitten by every movement, and every glance of the beloved. It is a celebration of youthful love—carefree, mischievous, and utterly irresistible.

Accha Ji Main Haari Chalo from Kala Pani (1958) 

It is easy to say - ‘leave’. But you know what?

‘Chhod diya toe haath maloge. Samjhe’

Here is a playful tete-e-tete between two lovers. A duet where teasing words are thrown back and forth between the two lovers.

Asha Bhosle and Mohammed Rafi turn romance into a delightful game, where every line is a challenge, every pause an invitation, and every note a stolen kiss.

Ek Ladki Bheegi Bhaagi Si from Chalti Ka Naam Gaadi (1958)

This one is all wet and …. ‘coy’. Were you thinking wild? Wait! We’ve saved that for later.

Here is a splash of rain and your first meeting with the ‘significant’ stranger.  And just like the rain water it is fresh and full of laughter. Kishore Kumar’s impish charm turns each note into a twinkle in his eye. It turns this melody into the sound of romance that sneaks up on you when you least expect it.

Yeh Raatein Yeh Mausam Nadi Ka Kinara (Dilli Ka Thug, 1958)

Here is a song that feels like a quiet confession of love whispered under a moonlit sky. Kishore Kumar’s velvety voice blends seamlessly with Asha Bhosle’s enchanting sweetness, creating a melody that shimmers like silver on water. The gentle lapping of the river, the cool night breeze, and the magic of togetherness turn this song into an eternal serenade. As Nutan and Kishore’s onscreen chemistry unfolds, love feels effortless—like the river flowing towards the sea, like two hearts destined to meet.

Pyar Hua Iqrar Hua from Shree 420 (1955)

This is when raindrops fall on entwined fingers, the hearts vent out the deepest fear of losing what is most precious to them. Manna Dey and Lata Mangeshkar weave a spell of innocence and forever promises, while Raj Kapoor and Nargis walk beneath an umbrella, their eyes speaking a language only love understands. The song hums like the sound of the first confession, hesitant yet filled with a beautiful certainty.

Ajeeb Dastan Hai Yeh from Dil Apna Aur Preet Parai (1960)

A melody that speaks of love’s sweetest dreams and its most aching heartbreaks. Lata Mangeshkar’s voice flows like an evening breeze, carrying the weight of unanswered questions, of love found in one moment and lost in another. The song is a quiet sigh, the sound of memories held close, of paths that once ran side by side and now drifting apart.

Chaudhvin Ka Chand Ho from Chaudhvin Ka Chand (1960)

‘Beauty is in the eyes of the beholder’ - they say. And here is that one beholder every girl would love to have. This song is moonlight set to music. Here beauty is worshipped and love is a celestial wonder.

Mohammed Rafi’s voice shimmers with awe and reverence, painting the beloved in hues of moonbeams and stardust. It is the kind of love that poets write about, where every glance is poetry and every moment together is heaven.

Dil Ka Bhanwar Kare Pukar from Tere Ghar Ke Samne (1963) 

A love song that dances on the edge of laughter, a melody full of teasing glances and stolen smiles. Mohammed Rafi’s voice flits through the air like a playful breeze, turning romance into a game, a sweet chase between hearts that already belong to each other. Love here is light as air, joyful, mischievous, and absolutely irresistible.

Baharon Phool Barsao from Suraj (1966)

‘May she walk through showering flowers and the melodies of nature.’ - When you are welcoming love, you want the whole world to open its arms for her.

Mohammed Rafi’s voice bursts forth like the fragrance of a thousand flowers, filling the air with poetry and passion. It’s a song that places the beloved on a pedestal, showering them with devotion, as if love itself were kneeling at their feet.

Mere Sapno Ki Rani from Aradhana (1969) 

When are you coming? A rush of excitement and the thrill of waiting for love to arrive! Kishore Kumar’s voice races with anticipation, as if his heart is running alongside the toy train where Sharmila Tagore sits, unaware of Rajesh Khanna’s adoring gaze. It’s the song of youthful love, and of daydreams coming true.

Ek Pyaar Ka Nagma Hai from Shor (1972)

This one is not just a love song—it is a philosophy, a melody that speaks of love as life itself. Lata Mangeshkar and Mukesh weave together a tune that carries both the pain and the beauty of togetherness.

Love here is not just about joy; it is about holding hands through storms, finding light in the darkest nights, and knowing that no matter what, as long as there is love, the journey is worth it.

Aajkal Tere Mere Pyar Ke Charche from Brahmachari (1968) 

A melody of mischief, the playful tease of two hearts wrapped in the thrill of newfound love. Mohammed Rafi and Suman Kalyanpur bring a flirtatious energy, turning love into a lively celebration where every look exchanged is a spark waiting to ignite.

Rahe Na Rahe Hum from Mamta (1966)

Love is a melody that refuses to fade, even when time tries to steal it away. Lata Mangeshkar’s voice glows like a lantern in the dark, illuminating the promise that love, once given, never truly leaves.

Jo Wada Kiya Woh from Taj Mahal (1963) 

Promises are meant to be kept and never to be broken. Here is a promise set to music, an oath of love meant to outlast lifetimes. 

Lata Mangeshkar and Mohammed Rafi’s voices intertwined like vines around a timeless vow, whispering that love, once pledged, is forever.

Mohe Panghat Pe from Mughal-E-Azam (1960) 

Teasing is a gesture of love. And no one justifies this better than the eternal love of Radha-Krishna. So, if you want to complain and can’t name the offender, then blame it on the one and only Nand ke lal! This is the essence of this song.

Lata Mangeshkar’s voice drapes itself in grandeur, carrying the rhythm of anklets echoing through a moonlit courtyard, where love is both a whisper and a dare.

Nain Lad Gayi Hai from Ganga Jamuna (1961) 

This is love at first sight captured in music. It is a melody that brims with youthful joy and rustic charm. Mohammed Rafi’s voice gallops with excitement, echoing the heartbeat of a lover who has just met the eyes that will change his world forever.

Waqt Ne Kiya Kya Haseen Sitam from Kagaz Ke Phool (1959) 

When love is lost in the sands of time… a melody soaked in melancholy and unspoken words. Geeta Dutt’s voice carries the weight of heartbreak, floating over S. D. Burman’s wistful composition like the last leaf on an autumn breeze. It is love remembered, love that lingers, love that still aches in the silence.

Pyar Deewana Hota Hai (Kati Patang, 1970)

What is love - you ask? Love is the madness of a firefly that runs into the fire even after knowing that it will get burnt. It is unreasonable and unstoppable. That is what this song is about. 

Kishore Kumar’s voice glides over R. D. Burman’s dreamy composition, whispering the truth that love is meant to be free, reckless, and unchained. It is a song for those who love without reason, without logic—only with their hearts wide open.

Mere Mehboob Qayamat Hogi (Mr. X in Bombay, 1964) 

This is the lament of a love lost but never forgotten. Kishore Kumar’s voice quivers with longing, carrying the pain of broken promises and lingering memories. It is a melody of love betrayed by time, yet refusing to fade, echoing like a heartbeat that still aches for the one who walked away.

Chalo Dildaar Chalo (Pakeezah, 1972)

Here is a song that takes love beyond the earthly, guiding it across the horizon where only hearts can meet. Mohammed Rafi and Lata Mangeshkar’s voices blend like two souls entwined in eternity, floating over Ghulam Mohammed’s celestial composition. It is love as a journey, a pilgrimage, a destination where only those who truly belong together will arrive.

Lakhon Hai Nigahon Mein (Phir Wohi Dil Laya Hoon, 1963) 

‘Dunia Haseeno Ka Mela' - As it is now, so it was then, in the black and white era. But where is that one person? - ‘Lekin woh baat kahan?’

Mohammed Rafi’s voice shimmers like moonlight over water, singing of love that hides in the crowd yet shines brighter than a thousand stars. It is a song for lovers who find each other even in a world full of strangers.

Jhuk Gaya Aasman (Jhuk Gaya Aasman, 1968) 

Love so powerful that even the heavens bow before it. Mohammed Rafi’s voice soars, painting the sky with a lover’s devotion, as if the universe itself is conspiring to bring two hearts together. It is the feeling of destiny whispering in your ear, assuring you that love was written in the stars long before you were born.

Naam Gum Jayega (Kinara, 1977)

What’s in a name? My voice is my identity. And when it comes to a bond that transcends identity, where names fade, faces disappear, but love remains, eternal and untouched. Lata Mangeshkar’s voice carries the weight of timeless devotion, a melody for lovers who believe that what truly belongs to the heart can never be lost.

Zara Si Aahat Hoti Hai (Haqeeqat, 1964) 

A trembling excitement of a heart that senses its beloved’s arrival even in silence. Lata Mangeshkar sings with the gentleness of a whisper in the dark, where every sound, every shadow holds the promise of love’s return. It is the melody of longing wrapped in the hush of the night.

Aap Ki Nazron Ne Samjha (Anpadh, 1962) 

This song is love’s purest recognition, a song that speaks of a heart finally seen, finally understood. Lata Mangeshkar’s voice shimmers with gratitude and devotion, weaving a melody that feels like the soft caress of a lover’s gaze, the warmth of a touch that speaks without words.

Humein Tum Mil Gaye Humdum (Aankhon Aankhon Mein, 1972)

A melody wrapped in the warmth of love. When voices intertwine like hearts finding their rhythm, Kishore Kumar and Lata Mangeshkar paint a picture of devotion so deep, it feels like a dream one never wants to wake up from. Asha Parekh and Bharat Bhushan bring this song to life with a quiet grace, their love reflecting in every stolen glance, every unspoken word. This is not just a song—it’s a promise, a sanctuary, a moment where love feels like the only truth.

Tum Hi Meri Mandir Tum Hi Meri Pooja (Khandan, 1965) 

Love in its purest state can be worshiped. This song is devotion set to melodies. Lata Mangeshkar sings with the tenderness of a heart that sees the divine in the one it loves. Every note feels like a prayer, every lyric like a vow of eternal faith.

Isharon Isharon Mein Dil Lene Wale (Kashmir Ki Kali, 1964) 

Here is love whispered between stolen glances, a flirtatious melody where words are unnecessary because the eyes say it all. Mohammed Rafi and Asha Bhosle’s voices dance around each other, teasing, promising, and confessing without ever speaking a word.

Humein Tumse Pyaar Kitna (Kudrat, 1981)

This is not just a song; it is a confession whispered into eternity, a melody woven with longing and devotion. Whether it’s Kishore Kumar’s soulful rendition or Parveen Sultana’s classical magic, the song carries the weight of love that is both tender and intense.

Starring Rajesh Khanna and Hema Malini, it speaks of a passion so deep that words fall short—love that exists beyond time, beyond reason, beyond even the beloved’s knowledge. The haunting composition by R. D. Burman lingers like an unshed tear, making hearts ache with the beauty of love that asks for nothing, yet gives everything.

These songs may belong to a different time, but their melodies, their words, and their emotions remain eternal. They come from an era where romance was written in moonlight and sung with a devotion that never fades. Their echoes still touch hearts, reminding us that true love, like music, never grows old.

If you want to learn how to sing with the same magic of love, try online singing classes and bring these beautiful melodies to life.